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Date: Thu, 14 Sep 1995 23:40:13 +0100
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From: bruner@isys.hu (Rick Bruner)
Subject: H-Report 1.22 (Feature)
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  ========================
  The Hungary Report

  Direct from Budapest, every week

  No. 1.22, SUPPLEMENT  September 14, 1995
  ========================

  =============
  FEATURE STORY

  Democracy is no laughing matter

  By John Nadler <jnadler@magnet.hu>
  Copyright (c) 1995

  When communism in eastern Europe collapsed with the Berlin Wall,
  everyone expected the departure of the visible trappings of
  socialism. Politburos and secret police. Commissars and bread queues.

  But few predicted that a genre of humour would be tossed on history's
  trash heap along with one-party rule.

  In fact, when demonstrations in 1989 began to topple the totalitarian
  regimes of the east, one group shivered in fear more fiercely than
  the tyrants who faced firing squads: communism's political comics.

  "We were afraid of a change in the political system," admitted
  Hungarian actor Robert Koltai, whose Soviet-era cabaret act satired
  Magyar socialism and its leaders. "We thought at the time: 'We don't
  know what to do. We can't say anything. There will be freedom. Our
  main source of humor will disappear'."

  Of course, Koltai soon found that laughter would survive Leninism.
  But his fears were not completely unfounded. When communism
  collapsed, the place of humour in Hungarian society pivoted as
  perceptibly as the political spectrum.

  The reason: in democracy, a joke is a joke. But in a police state, a
  joke can be a weapon. And for 40 years of communism, Hungarians
  tossed political jokes like hand grenades, developing both an acidity
  and delicacy in their humour that would be the envy of any American
  stand-up comic.

  "During the communist years, Hungarian humor was subtle," said film
  director Gabe von Dettre. "People needed to express their opinion in
  a rather political way that wouldn't be obvious for censorship."

  In this sense, a joke was not just a pressure release, it was a
  loaded message, as brief as a haiku but packed with meaning. In 1987,
  when asked her opinion about the fate of the socialist status quo, a
  24-year-old Csilla Sebestyen responded with this joke: "What is the
  definition of communism?" Answer --"It is the long way to
  capitalism."

  Two years after this telling, socialism in Hungary fizzled and
  surrendered to market economics. Csilla, in a dozen words, had
  already pronounced an ironic post-script to its 40-year reign.

  Communism sharpened Magyar humor, but it didn't invent it. Sadly, the
  oppression which made satire in Hungary so sharp between 1949 and
  1989 was no new phenomenon.

  Explained Dettre: "Hungary's unique humor is derived from a strong
  sense of inferiority. Because since the 13th century we've been
  oppressed by one country or another. Before the communists, it was
  the Hapsburgs. Before the Hapsburgs it was the Turks."

  According to Dettre, centuries of oppression molded a dark wit within
  the Magyar consciousness. In the past era, communist oppression
  forced a discipline of subtlety upon political satire.

  But in every other realm of existence, Hungarians learned to express
  their unique angst in humour that is sometimes, admitted Dettre,
  "morbid and ruthless." There are few topics -- from the Holocaust to
  the lame -- which are taboo.

  Mused Dettre, who has also lived in US: "There are jokes told here
  you could never tell in the States."

  Despite having the freedom to harpoon any topic under the sun,
  Hungarian humorists during the last four decades chose to ridicule
  socialism, because to do so was perilous. An act of dissent.

  While the common man exchanged puns over beers, comics lambasted
  socialism from the stage. Actor Koltai developed a cabaret character
  called the 'Comrade in Charge,' a bumbling spoof of the generic
  socialist bureaucrat.

  The act was a hit. And because Koltai's satire ridiculed everyone in
  general by naming no one in particular, it was tolerated by the
  Party.

  In 1989, when Hungary's dictatorship began to dismantle, Koltai began
  to panic. Perfect democracy would eliminate the material and the
  raison d'etre for the satire he had spent a career perfecting.
  "Comedy," he explained, "needs something to oppose."

  Relief came when comics like Kotlai realized that democracy is far
  from perfect. Hungary's new regime has proven worthy of ridicule.
  Moreover, capitalism's stresses  -- unemployment, poverty -- have
  made audiences yearn for something other than satire in
  entertainment: namely, escape.

  The box-office records broken by Koltai's 1992 apolitical comedy film
  'We Never Die' proves that Hungarians need humor as they struggle
  through a difficult period of transition. Explained actress Kathleen
  Gati, one of the movie's co-stars: "You've got to laugh at yourself
  and the situation, or else you will die."

  So comedy survived socialism, but comics say it is less graceful in
  an era where anything can be said. "Political jokes now are far more
  crude," reflected one joke teller. "I don't like them."

  Declared Koltai: "Some people now cannot distinguish between satire
  and slander."

  But even in this new era, jokes remain the front line of
  dissatisfaction -- an unconscious form of expression, perhaps like
  dreams and myths, which springs from the stresses of the present.

  For example, one joke circulating Budapest hints at the bitterness
  some Hungarians feel about their dashed expectations of capitalism's
  promises, and their wariness now to aspire for anything but a
  tolerable present:

  One sunny day a rabbit in the woods realizes that he is feeling, for
  the first time in months, perfect contentment. He encounters a fairy
  who offers him three wishes. The rabbit is silent. The fairy: "I
  waiting. What are your wishes?" The bunny: "Go to hell. For once I
  feel content, and you bother me with questions."

  * * *

   The evolution of the political joke

  Humor lampooning communism always mirrored the times, be it the Cold
  War or Glasnost. Some jokes, like this one from the early years of
  Hungarian communism in the 1950s, was not meant to inspire a laugh as
  much as distaste for the system's contradictions:

  A old woman from the country, ignorant of politics and the socialist
  revolution that has just taken place, goes to Budapest to visit her
  son who is an important Party commissar. Privileged, her son's
  apartment is filled with opulent furniture, and fine food. Not
  knowing her son's occupation, the women takes in these luxuries, and
  exclaims: "Very impressive, my son. But be careful. If those
  communists ever come to power, they'll take this all away from you."

  During the Soviet occupation, the Russians were a constant source of
  ridicule. Explained Hungarian Mark Gyukity, "Jokes were a way of
  criticizing them without fear of punishment."

  An American, Russian, and Hungarian are on a train. The American
  pulls out a bottle of whiskey, swallows a mouthful, and tosses the
  bottle out the window, saying: "We've got so much Whiskey, I can
  afford to throw away a bottle." The Russian, not wanting to be out
  done, pulls out a bottle of Vodka, gulps once, and also discards the
  drink. "Well we've got so much Vodka, I can throw away a full
  bottle." The Hungarian pulls a bottle of Palinka brandy from his
  jacket, swallows, then picks up the Russian and heaves him out the
  window: "Since we've got more Russians than you've got whiskey," the
  Hungarian says to the American, "I guess I can toss one away too."

  Outside of politics, a by-product of occupation was a morbidity in
  Hungarian humor partly revealed in this joke, told recently by a
  grandfatherly 81-year-old in Budapest:

  There is a knock at the door. A man opens it to find the Grim Reaper
  standing before him. "I am death," says the visitor. "Who is it?"
  shouts the man's wife from another room. The husband sweetly answers:
  "It's for you darling."


  ===========
  MORE UPDATE

  Thanks to all who sent encouragements after this weekend's comments
  about the Hungary Report's future, pending my move to San Francisco in
  four weeks. Good News! I'm optimistic that I'll find sponsorship to
  keep the Report going afterall. Negotiations are underway. Meanwhile,
  take a look at our snazzy new Web site: http://www.isys.hu/hrep/

  Rick


  ===========
  FINAL BLURB

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                                   * * *

  Back issues of The Hungary Report are available on the World-Wide Web:

     http://www.isys.hu/hrep/  (in Europe)

  or

     http://www.yak.net/hungary-report/  (in the US)

  and via FTP
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                                   * * *

  The entire contents of The Hungary Report is copyrighted by the
  authors. Permission is granted for not-for-profit, electronic
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  Reprinting and resale of the material is strictly prohibited without
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                                   * * *

  For information on becoming a corporate sponsor of The Hungary
  Report, contact Rick E. Bruner by email.

  Feedback is welcome.

  Rick E. Bruner <bruner@isys.hu>
  John Nadler <jnadler@magnet.hu>

                                   * * *

  For its briefs, The Hungary Report regularly consults the news sources
  listed below -- for information about subsriptions, contact them by
  email: The Budapest Business Journal <100263.213@compuserve.com> (and
  tell them what dwads they are for making us pay for issues at the
  newsstand);  Budapest Sun <100275.456@compuserve.com>; Budapest Week
  and Hungary Around the Clock (same email address)
  <100324.141@compuserve.com>, and Central Europe Today (free online)
  <cet-info@eunet.cz>.

  ================
  END TRANSMISSION





